dreaming of a life after cubicles

from Table of Malcontents by John Brownlee

We Make Money Not Art has posted a great review of a current exhibit at Paris’ Passage de Retz,A Visual Weapon: Soviet Photomontages 1917-1953. When 70% of the country can’t read, photomontages became a powerful form of propaganda… so powerful that even the Nazis took notice.

During the WWII, the photomontage becomes the main propaganda weapon inside the country but also outside of it to demoralize the enemy. Jitomirski, for example, designed thousands of propaganda leaflets during the war. So many of them were thrown to German troops that Joseph Goebbels put the name of the artist on the list of the “Ennemies of the State” with a commentary that said “Find him and hang him!”

A hell of a thing, to end up on a Nazi murder squad list just because you’re good and cutting and pasting pictures onto pieces of construction paper. Despite the fact that these photomontages were used to propagate a political system that led to tens of millions of deaths in the Twentieth Century, some of the work is truly beautiful in a way both industrial and dystopian. Maybe one will come to a coffee shop near you!

Soviet Montages 1917-1953 [We Make Money Not Art]

from Boing Boing by noemail@noemail.org (Mark Frauenfelder)

Mark Frauenfelder: Bibliodyssey has an excellent gallery of 18th century engravings from ‘Die Saugthiere in Abbildungen’ at Ecole Nationale Vétérinaire de Lyon (named as ‘Histoire naturelle des quadrupèdes’.

The absurd rendering of many of the animals comes about because the engravers/artists working on the project did not actually see the animals. They had to rely on descriptions and their imagination and, as was the fashion of the time, the animals were placed in contrived settings and often given human facial qualities, which only serves to heighten the sense of bizarre. And thankful we are too.

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